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Brian Mansfield of USA Today designated it "Album of the Week," summarizing that " Melophobia may mean 'fear of music,' but there's nothing to be afraid of: Its glorious chaos makes for thrilling listening." [28] August Brown of the Los Angeles Times viewed Melophobia as "a bit more stoned and mellow" than its predecessor, "they're in a class of their own [...] Let's just be glad to have such imagination on our drive time rock radio again." [25] Holly Gleason of Paste described the album as "post-modern glam revival," praising Jay Joyce's production and opining that " Melophobia is united in both the urgency of the performances and the seemingly toxic love affairs that populate these songs." [26] Rolling Stone 's Jon Dolan considered the record a combination of "Sixties garage rock, Seventies punk and Eighties alt-rock into excellently weird new shapes." [27] Doug McCausland of Alternative Nation said Melophobia was Cage's strongest record at the time

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Kings and Philadelphia Flyers in full Buddy the Elf attire, revisiting his memorable starring role in the 2003 Christmas classic Elf

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